• Rai@lemmy.dbzer0.com
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      11 months ago

      I have the opposite experience. I have a heap of MP3s and flacs and those live on some hard drives.

      Apple Music was like “wanna twy?” And I was like “aite sure”. I love having lossless of basically everything when I’m not at home, and iOS doesn’t touch my at-home collection.

      I guess the problem is buying DRM music. I never trusted any of that.

        • Rai@lemmy.dbzer0.com
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          11 months ago

          That is super fucked and I’m so sorry that happened.

          Replacing for clean versions though, that’s hilarious. Like WHY?!

          I’m not blaming you AT ALL because software should never fuck with your music irreparably. I’m just paranoid something is going to go wrong with my collection I’ve curated for 15+ years, I keep it backed up on multiple drives now.

          …after I had a HDD die.

          I do love Apple Music though. It’s super cheap for having lossless shit everywhere, and I’m not a shill I PROMISE I USE LINUX ALSO AND UNFORTUNATELY PREDOMINATELY WINDOWS 10 AAAAAAAAAA

      • narc0tic_bird@lemm.ee
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        11 months ago

        Music purchased from the iTunes Store is DRM free though. I think they actually upgraded purchases made prior to this change to DRM free versions (called iTunes Plus or something).

        • Rai@lemmy.dbzer0.com
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          11 months ago

          That’s fair, but the only music I’d ever purchase are flac files I just can have, outside of an ecosystem of any sort. And I say this as an iOS lover!

  • gregorum@lemm.ee
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    11 months ago

    It’s pretty dumb when record companies limit distribution by region like this.

    • AcidTwang@kbin.social
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      11 months ago

      It’s totally dumb because it’s not about getting a good deal for consumers or artists, purely about rights-holders maximising revenue. If they can’t negotiate a good enough deal in a region they’ll simply not allow it to be streamed. This is what happens when they separate the cultural value of “content” from the monetary value of it, the perceived desirability. Viewers and listeners want a good show to watch or album to hear, rights-holders simply want to get a good deal, regardless of what the stuff it.

    • ebc@lemmy.ca
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      11 months ago

      Yeah, I once discovered an artist, even bought some albums, only to notice about a year later that the place I discovered them was now blocked in my country. If I would’ve come a year later, I would never have bought these albums.

  • SuperSpruce@lemmy.zip
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    11 months ago

    Most of my music is “pirated” because you can’t find it on any streaming platform, it’s usually a YT download, often for game OSTs (often ones I own a copy of), and offline play allows stuff like Music Speed Changer to change the pitch and speed of the music!

  • OfficerBribe@lemm.ee
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    11 months ago

    My only reason besides stuff being free is that I want my music library offline. There are some services like Bandcamp that offer it, but it would not cover a meaningful percentage of all my library. Not gonna buy and rip CDs myself as well

    • brax@sh.itjust.works
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      11 months ago

      Some songs get completely yanked. You can list them, you can scrape them with the Spotify API. And you can see the available countries is empty.

  • Bleeping Lobster@lemmy.world
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    11 months ago

    Whenever I release music myself, I actively block it in Russia, because they relentlessly steal my trance / freeform releases and upload them in warez sites.

    Of course geoblocking can be circumvented by a determined pirate but it helps to not be on their radar in first place as a lesser known artist.

    As an example, once I released a freeform album. Freeform is a very niche, small scene. It was on Russian forums within a couple of days. Fortunately one of my fans notified me, I had a Russian friend contact the site on my behalf to explain that I’m a poor struggling artist, and they’re literally taking money out of my pocket; to my surprise they agreed to take the links down.