LONDON. Michaelmas term lately over, and the Lord Chancellor sitting in Lincoln’s Inn Hall. Implacable November weather. As much mud in the streets, as if the waters had but newly retired from the face of the earth, and it would not be wonderful to meet a Megalosaurus, forty feet long or so, waddling like an elephantine lizard up Holborn Hill. Smoke lowering down from chimney-pots, making a soft black drizzle with flakes of soot in it as big as full-grown snowflakes - gone into mourning, one might imagine, for the death of the sun. Dogs, undistinguishable in mire. Horses, scarcely better; splashed to their very blinkers. Foot passengers, jostling one another’s umbrellas, in a general infection of ill-temper, and losing their foot hold at street-corners, where tens of thousands of other foot passengers have been slipping and sliding since the day broke (if this day ever broke), adding new deposits to the crust upon crust of mud, sticking at those points tenaciously to the pavement, and accumulating at compound interest.
Are you able to visualize what is happening in this passage?
This is from Bleak House by Charles Dickens, if you are curious.
All right, so taste aside, I would make the argument that Dickens’ writing is absolutely not “top class” by virtue of the fact that he was paid by the word and many have argued this contributed to his style of employing a lot of run-on sentences in his work. Don’t get me wrong—I do think he was a good writer, but I tend to agree that his verbosity detracted from the quality of his writing, not added to it.