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Joined 1 year ago
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Cake day: August 4th, 2023

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  • As a tall man who likes to walk at night, I have long understood that women alone at night do not wish to encounter me. So when I happen to find myself following a woman down the street, I will either slow down, cross the street, or stop and look at a sign or something for a minute to give her some space.

    In a dangerous and shitty world, a person has to find subtle and quiet ways to express care, compassion, and solidarity. It costs me nothing to make a woman feel safer.









  • Codex@lemmy.worldtoGaming@lemmy.worldWhy Waluigi is evil
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    18 days ago

    I figured you might have read it, as your comment had evoked it for me.

    I really like the reading of Waluigi as a kind of perfect symbol for our post-modern times. I don’t think the article goes quite far enough. Mario is already a simulacra: a stereotype that doesn’t really exist, certainly not anymore and never really did. So Waluigi is the reflection of an inverse of a simulation without a base reality.

    It’s very relatable, as you say, an apt metaphor for how our cultures treat the common person. Maybe the right Waluigi game isn’t one that fleshes him out and brings him closer to the audience. Maybe something like Krusty’s Fun House or Lemmings: burning through legions of Waluigis (1up mushroom clones? robots? one person somehow split into a multitude?) to accomplish trivial goals for Wario, the stand-in for the corporate overlords?




  • Codex@lemmy.worldtoGaming@lemmy.worldWhy Waluigi is evil
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    18 days ago

    https://theemptypage.wordpress.com/2013/05/20/critical-perspectives-on-waluigi/

    I, We, Waluigi: a Post-Modern analysis of Waluigi by Franck Ribery

    Waluigi is the ultimate example of the individual shaped by the signifier. Waluigi is a man seen only in mirror images; lost in a hall of mirrors he is a reflection of a reflection of a reflection. You start with Mario – the wholesome all Italian plumbing superman, you reflect him to create Luigi – the same thing but slightly less. You invert Mario to create Wario – Mario turned septic and libertarian – then you reflect the inversion in the reflection: you create a being who can only exist in reference to others. Waluigi is the true nowhere man, without the other characters he reflects, inverts and parodies he has no reason to exist. Waluigi’s identity only comes from what and who he isn’t – without a wider frame of reference he is nothing. He is not his own man. In a world where our identities are shaped by our warped relationships to brands and commerce we are all Waluigi.

    There is apparently a sequel post now as well.




  • Sadly, the Hilbert Hotel is slated for demolition which is why it’s on Sisyphus’ path. After that whole “everyone moves to double their room number” debacle, Hilbert had to process a fraction of the infinite guests’ refunds because they didn’t feel like changing rooms to one several million hallways down. And a percentage of infinite guests refunds is still infinite, so Hilbert is in infinite debt now.

    Theseus, meanwhile, has been trying to justify buying a new ship for ages but his crew is adamant about right to repair, so he’s looking for an easy exit.