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Cake day: February 25th, 2024

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  • I can’t remember the name of the book now, but in high school we read a ‘true’ story of child abuse. I’m sure it was edited to both tone down and turn up certain elements, but it was pretty much a brutal shock to people who are mostly from decent families that love them. Whether the kids were rich, poor, or middle class in my school, just about everyone there could at least return home to parents that didn’t commit those horrors.

    I remember the diapers, the exposure to the elements, and the way the other children were pitted against the abused kid, and honestly? It was the emotional abuse that was the worst to read.





  • I think it’s less “good jazz,” and more ‘jazz that fits the mood.’

    I don’t want to listen to thrasher metal when I’m sitting in an italian restaurant, introducing my date to the family, and I don’t want to listen to jazz when it’s inappropriate.* I remember reading the blog of the Doom soundtrack, and he talked about the difficulty in creating soundtracks because you have to take music that was meshed to visual, auditory, and psychological happenings and create ‘just’ a piece. Going the other way, how difficult must it be to take musical compositions and match them well to gameplay… it blows my mind that there are people out there who do it so well, because there are definitely games that I loved because it was just a perfect combo, and others where they were saved from mediocrity with the addition of the right sound.

    *Aside, I was trying to think an example of when jazz in a game was inappropriate, and couldn’t. Take from that what you will.





  • Yes, but if you listen to the ‘reviews’ now, all you’re getting is the regurgitated product description compared to the product description of the other contenders. Except instead of the two sentences that were the original description, you get a five sentence opening about the topic, Somewhere between 12-15 sentences about the product that don’t add anything relevant (repeat)^ (for each product), and then a conclusion that’s random, arbitrary, and probably influenced by money.

    At least with the older models I can see real information if I can find real reviews. If I have to extrapolate from there to today, I’m still better off.



  • Some classics are good enough to read. The problem is in forcing kids to try to do in-depth analysis. Even Charles Dickens or Charlotte Bronte isn’t all that bad to read, until you are squinting at every third word and wondering if this could mean something in the context of the whole book and just maybe you can write about it well enough in your stupid journal that you really want a B in so your parents don’t whip you with the belt again.