You’re fabricating outrage at something that does not exist in the comic

The comment I was replying to was clearly talking about a pattern of behavior beyond what is in the comic.

The artist is making fun of the petty nonsense that people complain about.

Which is a pretty goddamn petty thing to complain about. How dare people express their opinions and dissatisfaction with anything that isn’t the end of the fucking world, right?

Yes, there are people who blow such things way out of proportion, but this comic does nothing to distinguish between reasonable responses to these issues and unreasonable ones, it just lumps them all together and tells everyone to shut the fuck up in the most condescending way possible.

It’s also being dismissive of real problems people face. It’s an excuse to not address problems here and now because bigger problems exist elsewhere. But you aren’t going to do a goddamn thing about those issues, so this implied triage is a lie. It’s just a way of trying to act morally superior while lacking empathy.

The whole first world problem concept implies everyone has it easy in first world countries. As though we don’t have poverty, mental health issues, crime, corruption, police brutality, abusive families, disease, loss of loved ones, and so on. There’s no shortage of problems anywhere.

And you know what, fuck this attitude of turning suffering into competition and mocking people for being bothered by things that aren’t life altering. There’s nothing wrong with a healthy expression of emotion when you are disappointed or irritated, as long as you aren’t taking it out on others. But being a snarky asshole to someone and judging them for having a bad day isn’t helping.

If you see someone frowning and your instinct is to tear them down rather than cheer them up, maybe you should take a good look at yourself and figure out what your fucking problem is.

They’re trying to portray it as something that was done from the very beginning, as opposed to something they only pinned down in preparation for the 3rd game in the series. Nothing wrong with them getting through two games before writing out their bible, but that doesn’t make for a very compelling article.

“A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I’d talked about it, I’d hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.”

So, no they didn’t know the “deepest secrets” of the lore 20 years ago. One guy had vague notions in his head, and they only actually fleshed it out when they were working on Inquisition.

Are the whales the ones complaining? Because the whole concept of a whale is that they are the exception. The vast majority of players pay only the minimum amount or slightly more, but the whales dump so much money in that they are still worth more to the devs than the other 99% of players combined.

Duckman, though that was not for kids.

Ren and Stimpy and Rocko’s Modern Life both had stuff that was bizarre and only allowed in a kid’s show because it was over their heads.

Batman TAS and Gargoyles both had some heavy shit. The latter also had a guy die by having fire erupt from behind his eyeballs, and a scene where a surgeon explains a gunshot wound in visceral detail. God I love that show.

The Lion King is an experiment being run by the aliens from Close Encounters of the Third Kind. The music is diegetic and is used to modify behavior.

We know they can implant images and subconscious commands, and that this is perceived through music. That’s why they can coordinate musical numbers on the spot, and why sudden changes in behavior and attitude are accompanied by music.

In particular, the most critical character change comes when Simba wanders off to be alone, sees a vision in the sky, and the soundtrack kicks in with an extended version of the alien music from Close Encounters of the Third Kind. Suddenly he’s doing a 180 and running back towards his assigned role in the story.

IIRC, Troi mentions how the replicator makes the food healthier and at one point she specifically instructs it to not do that because she wants a real ice cream sundae even if it isn’t healthy.

And Scotty can taste the difference between alcohol and synthehol.

More like the whimpering twenties.

Downside of being an ageless immortal: oldies stations all play that new crap and no one plays your favorite hits from the roaring twenties anymore. NPR’s still good though.

Ground News because I want to see what’s going on in news across the media spectrum and they make it a lot easier.

Discord nitro classic because I don’t have a better alternative and I get the features I actually need at half the price I’d pay for the normal subscription.

A VPN because none of your goddamn business.

One of the things that sets the original apart from a lot of other open world survival craft games is that it was designed to be a single-player experience. Hopefully they can make it work well for both solo and co-op, but that’s a tricky balance.

One thing I’d really like to see is for creatures to be able to damage structures, and to balance that by having defenses to protect those structures. Being able to throw together an invincible fortress in seconds made some of the dangerous areas a lot less threatening.

That’s not fair. Liches are smart and competent, and had to earn their position through hard work and dedication.

Rockets are literally on fire.

I love The Thing, specifically because it’s smart and has great atmosphere. And as with Tremors, I like seeing people behave intelligently and adapt to try to overcome the threat, rather than just having people be idiots so we can watch them die.

That said, it goes way past the line for my SO, who makes less of a distinction between gross creature effects and violent gore effects. Plus, it’s not like there isn’t some fairly extreme violence as well. The defibrillator scene for example.

Can’t have Shia LeBeouf without the video.

We both liked What We Do in the Shadows, but neither of us loved it. I’ve been suggesting giving the show a try but my SO is always a bit resistant to starting a new show, and the prospect of trying to squeeze a season into a limited time frame only has only made that worse. But it’ll probably happen sooner or later.

Oddly enough I have seen that one. But my preferred version will always be The Shinning.

The mix of Lovecraft and Nicholas Cage has me both excited and terrified. Also, a short story about an otherworldly color that no human has seen before is an interesting choice for a visual medium that, you know, only has existing colors to work with. My TV has vibrant reds, yellows and blues, but it’s octarines are a bit muted.

Hmm… Haven’t seen them since they first came out, my memory of them is vague, but might be worth a watch.