In the 2004 Bard’s Tale game you keep running across kids who die thinking they are they chosen one.

And then trows (basically goblins) come out and sing an oompa loompa style song mocking the kids.

I had gay couples explained to me as a kid over twenty years ago and understood it no problem.

Geometry on the other hand, I still struggle with…

Lawful doesn’t mean following the laws. A lawful person isn’t obligated to follow the law in the Kingdom of Baby Eating.

Good explanation, thank you. It looks like fair use is a lot more limited than I had thought. And obviously not worth the risk for the average person to try and use as a defense.

Ah, thank you for that context, I didn’t see any mention of Patreon in the article.

Not that this would save the average person from litigation hell, but does Nintendo actually have a legal leg to stand on? What would make a (free) mod any different from any other artistic expression?

Also assuming the mod creator didn’t do anything crazy like rip assets from an existing Pokémon game.

They reported 9.9 billion in profit for their third quarter last year, so I think 458 minutes of profit from that quarter.

I assumed 90 days in the quarter, or 129,600 minutes.

So dollar or minute wise, that comes out to a 00.35% penalty to that quarter.

Edit: Which isn’t even close to the 36 minutes in that article, so I’d err on me being the wrong one.

Edit 2: I think I see the difference, I was looking at their profit, not their revenue.

Sometimes I put stuff somewhere “safe”. Which means I’ll find it 2 years later.

Is there some kind of demographic breakdown that shows this to be the case?

Nomads from Cyberpunk 2020/2077 were not on my bingo card for this year.

I like Vesper (2022) as one of the few I know of that focuses on biological technology, and it is part of the story as opposed to a backdrop.

There’s a lot of body horrror/Cronenburg stuff I like that gets close. Stuff like The Fly, Testuo the Iron Man, Videodrome, etc. But that’s focused more on the “wouldn’t this be fucked up?” than the exploration of biotech.

Repo Men (2010) and Repo! The Genetic Opera (2008) have a strong focus on the commoditization of the human body and organs especially. Gattaca (1997) is a little similar in that genetic therapy is important to society. And The Island (2005) is centered on cloning. Of these four, I like Repo! the most, but for other reasons than its take on Biopunk.

eXistenZ (1999) is probably Cronenburg’s most straight forward take of biology as technology, as opposed to just a source of horror, but I haven’t actually watched this one yet.

District 9 (2009) and Akira (1988) have situations that cause massive biological change, but not centered on Biopunk in my opinion.

The Blade Runner films, despite being the posterboys of Cyberpunk film, have a lot of potential considering that at the end of the day Replicants are biological. Splice (2009) at least focuses on the actual development of new biological technology, but winds up being more of a Frankenstein tale than anything.

The Alien universe has hints of this with the Space Jockeys, xenomorphs, and androids. But it’s not ubiquitous.

I don’t think logo design is enough to claim they have lost their “soul”. Aren’t Bravely Default, Octoparh Traveler, and Triangle Strategy pretty well liked and reviewed? And have some cool innovations on narrative and mechanics?

I won’t say that the logo design and naming convention isn’t off-putting, but it only reflects a current style, not the games themselves.

Yea, the term is a “straight man” although this is slightly different in that the straight man is usually allowed to acknowledge the antics of the comedic characters, where-as Michael Caine treats the comedy as done straight.

I guess it would be a sub-category of straight man though, not a different thing to itself.

What’s actually news worthy is that TSA managed to catch this. Their success rate is abysmal, so I’m sure this is a big confidence boost for them.

I think the big takeaway is that there are no sides to the matter, even if it’s easier to empathize with one over the other, so the meme still stands on the empathy part.

The “antagonist” of the whole thing is that they both failed to communicate with each other. Which isn’t weird, Max is a teenager experiencing a lot of stuff for the first time, and Goofy is scared for his relationship with his son, having to be a single dad, and never raising a teenager before.

The major issue at hand is that Goofy might as well be a minor deity of extreme luck (good and bad), so normal child/parent friction turns into being attacked by Bigfoot while later becoming an integral part of a huge concert.