Well the origins were laudable, it’s just that it was shortly thereafter extended for racist means. Binet and Simon wanted to see if they could devise a test to measure intelligence in children, and they ultimately came up with a way to measure a child’s mental age.

At the time, problem children who did poorly in school were assumed to be sick and sent to an asylum. They proposed that some children were just slow, but they could still be successful if they got more help. Their test was meant to identify the slow children so that they could allocate the proper resources to them.

Later, their ideas were extended beyond the education system to try to prove racial hierarchies, and that’s where much of the controversy comes from. The other part is that the tests were meant to identify children that would struggle in school. They weren’t meant to identify geniuses or to understand people’s intelligence level outside of the classroom.

The ask that YouTube manage their system better. Currently, they assume that a copyright claim is valid unless proven otherwise, and it is difficult for content creators to actually get them to review a claim to determine if it is invalid. So, a lot of legitimate users that post videos without actually violating anybody’s copyright end up being permanently punished for somebody illegitimate claim. What we want is for YouTube to, one, make it more difficult or consequential to file a bad claim, and two, make it easier to dispute a bad claim.

However, that’s not going to happen because the YouTube itself is legally responsible for copyrighted material that is posted to their platform. Because of that, they are incentivised to assume a claim is valid lest they end up in court for violating somebody’s legitimate copyright. Meaning that the current system entails a private company adjudicating legal questions where they are not an impartial actor in the dispute.

So your concern is legitimate, but it’s ignoring the fact that we already are in a situation where a private company is prosecuting fraud. People want it to change so that it is more in favor of the content creators (or at least, in the spirit of innocent until proven guilty), but it would ultimately be better if they were not involved in it whatsoever. However, major copyright holders pushed for laws that put the onus on YouTube because it makes it easier for them, and it’s unlikely for those laws to change anytime soon. That’s what I’d say we should be pushing for, but it’s also fair to say that the Content ID system is flawed and allows too much fraud to go unpunished.

You’re talking about the court system. They are talking about Content ID. YouTube makes it easy to submit faulty copyright claims with little repercussions if they fail, so there are more fraudulent claims than you’d see in the actual court system. They want YouTube to penalize the abuse of their system more strongly so people that upload videos don’t have to deal with so much shit.

According to the Oxford English Dictionary, it means to cut in a wasteful manner, particularly in terms of fabric. From elsewhere, it looks like it’s also used in construction in regards to cutting material such that the remaining sections are not usable for other purposes.

However, I’m not sure how stale bread discourages such cuts.

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I prefer Software Engineer, mostly because I studied at an engineering school and have a degree in Software Engineering. My actual titles have varied throughout my career, but I overall consider myself a software engineer.

You’re saying that it doesn’t matter because the US government is able to prove his citizenship, but that isn’t in question. The crux of this matter would be whether OP was ignorant of his citizenship and if that ignorance would have any relevance to his case.

Securing official documents only available to American citizens makes it more difficult to argue that he was ignorant of his status as an American citizen. He likely could still make a compelling argument (provided he acts quickly), but it does make it a bit more difficult.

If you ever use SQL Server Management Studio, you can experience the opposite. Whenever there’s an update, you’ll get a notification in the application, but to actually install it, you need to go to Microsoft’s website to download the latest version and install it yourself. Chrome, on the other hand, updates itself upon restart without requiring anything special from the user.

As a software developer, I really like that part. It means that websites I work on only need to consider the features supported in the latest version of major browsers rather than the last several (as was the case with Internet Explorer).

So, it’s nice and something that I remember really appreciating when Chrome was getting popular. But it’s still a weird thing to brag about.

Oh, and once you build that, I’ll move in and expect you to build the rest of the house on top of it.

Yeah, I found it on my laptop and was too lazy to send it over to my phone where I was on lemmy. So I typed it up, and then I actually sent the link to my phone when it was pointed out that it was broken.

Well, maybe lazy isn’t the right word. But I was too something.

It was an interview with Jonathan Swan about COVID-19 where Trump had a bunch of papers with graphs trying to show that the US was doing well with cases. The paper he handed over showed the rates of deaths per case (though Trump didn’t seem to understand the graph), and Swan was asking him about the high rate of deaths in the US when looking at the total population of the country.

https://youtu.be/NmrEfQG6pIg

I like Robert Delaunay, and also his wife, Sonia Delaunay. Their work involves a lot of bright, vibrant colors. It also was rather abstract or impressionistic, which I enjoyed. I think I like Piet Mondrian for similar reasons. Jan Sluyters would be another.

I also like JMW Turner a lot. I’m a sucker for lighting and dynamic skies in paintings, and his work features that very prominently. Frederic Edwin Church is another painter along these lines that I really enjoy.

A more contemporary passive that I like is Nina Tokhtaman Valetova. Her work also involves a lot of bold colors.

For digital copies of written works in the public domain, projectgutenberg.org is a good source.

The idea here are very interesting to read, but I think I’m leaning most favorably towards the last group’s idea to bury it with as little marking as possible. The plans modeled on Stonehenge seem odd to me. Stonehenge is famously a monument whose origin and purpose was a mystery, and that mystery enticed people from all over the world to travel to the site and excavate it. It seems more like a good reference for a method that would not work. How many people would have toyed around at Stonehenge if the monument weren’t there?

At the same time, we have events with contaminated materials being used in construction within a matter of months or years, so it’s not like these are abstract problems. E.g., look at the 1983 Ciudad Juárez Cobalt 60 incident. We have the technology to identify contaminated materials, but we’d only use them if we have reason to believe we should. It’s probably fair to assume the same of future societies, so it makes sense to want to make sure they have reason to believe they should test the area.

The vacuum is the hard part, not the maglev. You would need to enclose the entire track inside if a vacuum, and that world be ridiculously expensive and practically impossible with current technology. It’s already very expensive to build a tunnel for a train, which is why they are avoided if possible. But this would need to be all tunnel that is air tight, so even more expensive than regular train tunnels.

To put it into perspective, the current largest manmade vacuum chamber is at a NASA research facility in Ohio. It’s a cylinder with a diameter of 100 feet and a height of 122 feet. If this were laid on its side, about 1.5 New York subway cars could fit inside. The largest vacuum ever made can barely fit the vehicle inside, let alone allow it to travel between two different places where the extra speeds would be warranted.