I would concur. You can record high quality encoded audio on your iPhone, audio design on your iPad with your other samples, and add the mixed soundscape into your film on iMac.
I literally know someone in the media industry who’s whole effortless workflow is what makes him a go-to guy for quick and flexible turnaround for audio mastery for films. He works exclusively on apple devices for this exact reason.
I’m not saying it’s impossible another way, but he really likes the ecosystem.
I would entirely agree with this, having watch BBC, NatGeo, History Channel, and more media people who love GDrives, only use Macs, filmed deliverables on iPhone, want Mac Pros for editing etc.
I would concur. You can record high quality encoded audio on your iPhone, audio design on your iPad with your other samples, and add the mixed soundscape into your film on iMac.
I literally know someone in the media industry who’s whole effortless workflow is what makes him a go-to guy for quick and flexible turnaround for audio mastery for films. He works exclusively on apple devices for this exact reason.
I’m not saying it’s impossible another way, but he really likes the ecosystem.
I would entirely agree with this, having watch BBC, NatGeo, History Channel, and more media people who love GDrives, only use Macs, filmed deliverables on iPhone, want Mac Pros for editing etc.
So you’re saying only cheap profit driven productions use Mac?