Game - Factorio. Literally broke my 5 year gaming fast. I’ve spent over 1000 hours in it.
Film - Boondock Saints. Not a fan of the gore in it, but damn is the rest of it amazing. Willem Dafoe, excellent as usual.
Book - I honestly don’t know if I’ve read any indy books. I don’t know the production status of books.
This post kinda implies that OP thinks the default is that blockbusters have more soul and hits people harder than indie and passion projects, which is the opposite of the truth. Art made by fewer people generally has more soul and a stronger personality which translates to feelings by the person experiencing the art. They aren’t put through a grinder of corporate bullshit to not be offensive or say anything of actual value.
M137 to Ask Lemmy • Which “small” indie game/film/book hit you harder than most blockbusters? 4· 1 day ago This post kinda implies that OP thinks the default is that blockbusters have more soul and hits people harder than indie and passion projects, which is the opposite of the truth. Art made by fewer people generally has more soul and a stronger personality which translates to feelings by the person experiencing the art. They aren’t put through a grinder of corporate bullshit to not be offensive or say anything of actual value.
I think you misread me 🙂 I wasn’t implying blockbusters have more soul by default. I’m genuinely curious which indie projects hit people as strongly (or even harder) than blockbusters. Just a straightforward question.
Relevant XKCD https://xkcd.com/657/ and the reason I watched Primer in the first place. After dozens of watches I think that perhaps it’s possible the graph is relatively correct (maybe)
This was just amazing. Also relevant: https://www.youtube.com/watch?v=d3zTfXvYZ9s
Disco Elysium
Before Your Eyes. I was going through some major stuff at the time and I’ll associate the game with that summer forever. It has a very unique mechanic and it ties into the game really well without feeling like a gimmick. Takes about 3 hours to complete, so not a huge investment either.
uses webcam to see when you’re blinking
Nice try, deep state.
Disco Elysium
What Remains of Edith Finch. Is that a ‘small’ enough game? Affected me deeply, tho.
This game singlehandedly destroyed my negative perspective on walking simulators. Legit must-play for everyone. Lewis’ scene still makes me tear up.
I absolutely agree.
This was such a good interactive story. Took me less than a day to go through it, but there are some sections I will never forget. The bathtub and the fish plant created some crazy emotions, I was happy to piece together what was happening, but then I had to see it through without any way to avoid the inevitable.
(Trying to stay ambiguous for anyone who wants to check out it. You totally should!)
Jeez the fish plant hit hard. As it would for many gamers.
Maybe. I consider Greedfall as indie game as not really known. I love it. So, maybe, yes. the “small” is little bit too much… 😅
Most indie games will end up better than pretty much every AAA title. The best games I’ve played in the last decade were either indie or AA.
Roboquest, Pathfinder WotR, Dyson Sphere Program, Outer Wilds, Balatro, Helldivers 2, Deep Rock Galactic, Rogue Trader, Darktide, Abiotic Factor, Rimworld, Stellaris, DV Rings of Saturn, Hardspace Shipbreaker, Voices of the Void, Expedition 33, Blue Prince, Tiny Glade, Witchfire, Instruments of Destruction, Heart of the Machine, Tainted Grail Fall of Avalon, A Webbing Journey, Planet Crafter, Kenshi, X4, Ultrakill, Schedule 1, the list goes on.
All amazing games, none of them AAA.
Applying the term “Indie” to a book feels interesting to me, because almost all books, even ones that are part of intensely popular franchises, are written by a single author - so in a sense, all books are Indy.
Of course team size is only one aspect. There’s also budget and commercial involvement. But budget doesn’t have to be a constraining factor for books the way it is for movies. And if you’re the only person pushing the keyboard keys then you are the one with ultimate creative control.
If you are a penniless author and publish a hit and get rich, does your next book then stop being indie, even though it’s still just you? Or maybe it’s no longer indie because your circumstances have changed.
Many books are managed by a publisher, however. To varying degrees of control. The publisher can have significant sway in the process of writing and editorial control, depending on the contract.
I think the indie part is mostly to do with size and influence of the publishing house. As well as if the art comes first or market appeal. I think A24 in film are a good example of that question.
On further thought, I think one possible criteria may be: Was this work completed independently and then subsequently published, or did this work have a publisher prior to completion?
To your question, if the author gets big off of an indie work, then writes another, independently, which gets published again, then it’s still indie. But if that author agrees a contract to write said book with the publisher before it is written, then it is no longer indie.
Basically, has the creator taken it on their own risk to make this thing and then tried to publish it later? Or did a publisher take the risk by funding it and then therefore may have some degree of control?
Hollow Knight! Got me into indie games.
Hollow Knight was just so much well-curated content for the price. I got it on sale for $7.50, and after I played through it, I had to go buy it again at the full $15 because I felt like I’d ripped Team Cherry off.
$5 here! indie games have such great value.
Silksong is likely getting announced at Gamescon this week!
Let’s hope so!
<2 days
Hedwig and the Angry Inch
It’s an amazing punk rock musical and a kickass indie film.
I disliked the second one specifically because they gave it a decent budget. The original is genius for how it does so much with so little.
The third is an oddball. Made-for-TV budget and quality. It’s interesting for fans of the series, but nothing special.
Cube > Saw. First time I watched Saw the only thing I could think of is “This is Cube with a different aesthetic and a creepy puppet.”
Love the Cube series, knew it was low budget, but not ‘that’ low!
I’m sure the others had a bigger budget, but yeah, the first one was hardly anything.
Of course they only needed to build one room, part of another, and then just change the lighting over and over.
Primer. Like $12k budget, mostly cost of film.
SIGNALIS (indie horror game). Very good, scary, I cried. Strongly recommend.
Some of the radio puzzles are unforgettable
