He just seems like a guy I could have a beer with, y’know?

Multiple decades on this earth, decent schooling, undergraduate degree in history, and yet today is the day I discover why the cotton gin is called that. Wild. Thank you for sharing.

Does it smell like a steak and seat 35?

It’s been several years since I read it, so I’m fuzzy on the exact characterizations, but the notion the author seems to lean into is that most bassists are (as you say) nerds who aren’t interested in the spotlight, but they provide a fundamental bridge between melody and rhythm that enhances the other performers without necessarily standing out on its own. Meanwhile, the “drummer” character in this book is less Ringo Star and much more Jon Bonham or Neil Peart. He’s got, if not an active desire, at least no aversion to the spotlight.

Of course exceptions to every stereotype exist, and there’s a very valid argument to be made that a rock drummer ought to be the archetypical support class, but the division of stereotypes made sense to me while reading.

Oooo! Reading recommendation for you, if you’re not aware of the title: Kings of the Wyld by Nicholas Eames. The author said that he envisioned the various roles musicians tend to take in a band, and he mapped those stereotypes onto an adventuring party. So, the hot-headed character wielding an enchanted axe is the lead guitarist, the sword and board tank is a bassist, the rogue dual-wielding daggers is a drummer, the mage is a keyboard/synth player, and so on. The conceit is moreso for flavor and world-building than actual plot motivation, so these analogies aren’t necessarily explicit, but it’s still a fun set of character dynamics to hang an adventure story on.

Idk man, could be I’m just projecting on you conversations I’ve had with myself, but fondly remembering the sense of discovery you had with the Infinity Engine games while being sour on BG3 because it was “spoiled” for you seems like it has a lot more to do with your sense of nostalgia than any rational critique. Don’t get me wrong, I’m the sorta person who will break out my soapbox to yell about Morrowind’s virtues vs Oblivion or Skyrim, and I’ve also attempted to cajole several friends into giving BG1 a shot in the lead up to and wake of BG3’s release, so I’m sympathetic to your broader point. I just think, unless you’ve been out here reading reviews, watching Let’s Plays, opening discussion threads, and sucking down all in-house marketing Larian did, you vastly overestimate how much of the game is spoiled for you. And, frankly, if you’ve been doing all of those things, then the real culprit is how you spend your time online, not being online in and of itself.

Besides, the game is massive. Even watching multiple Let’s Plays of Act 1 would still leave room for discovery, simply because there are so many paths to pursue, many of them mutually exclusive. Hell, my big critique of the game is that I find the plethora of choices to be overwhelming, as I’m the sort that likes to consume all content in a single playthrough, and that’s literally impossible.

Are you really so arrogant as to believe that perception of socio-economic class is exclusively an American consideration when it comes to dating?

this is an older performance of theirs, but is one I frequently throw on while choring about the house. Perfect vibes.

You might like Burn Notice, depending on your tolerance for network television tropes of the mid-aughts. It’s a “monster of the week” format, rather than the serialized approach of Reacher, but it typically includes a scene or two referencing the season arc in any given episode, so you still feel like the narrative is advancing, even if the majority of the episode was a side quest.

The gist is that a US government spy gets “burned” and turned loose in Miami. He, and the few contacts he has who will still speak with him (which include his mother, an ex-gf with a bombastic personality, and Bruce Campbell at the height of his smarmy powers), attempt to figure out who burned him, while also getting wrapped up in “favors” for various folks about town that inevitably wind up more complicated than was initially let on. Antagonists run the gamut from international terrorists to con artists who target the geriatric (it is, after all, set in Florida).

It’s not high art, but it’s got a winning cast, decent action (for network television), and, on occasion, I think some pretty clever solutions for problems which leverage the “spycraft” gimmick. Worth a shot.

For what it is worth, I found it thrilling as a snot nosed teen who watched it in class for some reason or another. It suffers a little from its reputation as “the greatest film ever made”, but, it remains a very good character drama. Interest in the history of film and filmmaking will also go a long way towards making the movie compelling.

Demolition Man was such a treat for me when I finally got around to watching it during the pandemic. So much fun.

Absolutely horrifying illustration…I love it and crave sprite now. Can we get this in front of whatever ad agency Sony hired to produce this?

Good News sounds interesting. I am curious at how well I’d be able to read the comedy in the performances. I’m no stranger to Asian cinema, but typically more of the straight action variety.

I assume your tongue is fairly firmly in your cheek, but I can’t think of a better example for “mediocre movie” than Mortal Kombat. Lots of stuff to like about it (Cary-Hiroyuki Tagawa, Robin Shou’s hair, Goro, several of the sets, etc), mixed in with mostly underwhelming martial arts and cinematography, with characters whose depth reflects their origins. Don’t get me wrong, I like it, but I’m not crusading to convince people of Paul W.S. Anderson’s misunderstood genius lol

I checked out their FAQ, and it seems like the HoMM3 version of the fheroes2 project (or maybe vice versa, I’m not sure which came first).

I noticed that one of the features of VCMI was a totally reworked AI. Do you have insight into how that feels vs base game AI? A minor concern I have about these sort of fan projects is that the contributors tend to be among the most passionate and knowledgeable fans of the base game around, and their tweaks are balanced around that level of game knowledge.

Y’know, I’m sure the intent of the comment is in the vein of, “I persist because fuck them”, but there’s a reading of this that implies you’ve a list, and you’re checking it twice…

I agree. That’s why I felt compelled to write this post. The gameplay is far better than its wrapper makes it appear.

Was Xeen the M&M setting with the explicit science-fantasy inclination? I’ve never played any of the straight RPGs, but I’ve trundled through enough wikis to discover some bonkers concepts in those games. Like, one ends with your party fighting through a dungeon only to discover that the dungeon is actually a buried space ship or something like that?

I am certain that I would love HoMM3, but it’s just one of those games that I’ve never gotten around to sampling. As a kid, it was purely an access thing, but, as an adult, it’s a case of wanting that sweet nostalgia sauce drizzled over the meat and potatoes HoMM gameplay. Therefore, when the SRPG urge strikes, I find myself reaching for 2. I’ve heard nothing but good things about 3 though, so perhaps it’s high time to advance a little. Besides, I can only betray Roland for that sweet Archibussy so many times before it gets a little old.

My reservations about the art style aside, I think fans of the series would do well to check out the demo. I don’t pretend to be an expert, but, the price is right, and the gameplay feels very solid to me.