

Thank God for SPT. Modding away so many frustration points, no cheaters, improving AI… Makes it a lot more enjoyable, at the cost of running even more like ass than usual.


Thank God for SPT. Modding away so many frustration points, no cheaters, improving AI… Makes it a lot more enjoyable, at the cost of running even more like ass than usual.


The set up was too good to pass by. Thanks for the pitch.


is it time?



That doesn’t sound right, but it’s been long enough since I watched 48 Hrs or Tommy Boy that I can’t dispute your findings. Time for a double feature!


I thought the whole appeal of the Fediverse was that its structure prevents that sort of thing from happening, but I’m just repeating what I’ve read in other threads, so that may be inaccurate in this context.
…thank you.


You know what the chain of command is? It’s the chain I beat you with until you follow my ruttin’ commands!


Less than a year ago, he starred in a Safdie-directed, A24-produced biopic which earned him a couple of acting award noms, including a Golden Globe. Granted, it was the biggest flop of his career (so far), but from what I understand his acting chops were not the movie’s problem.


I agree. As you mentioned, the quality of Statham’s filmography varies wildly, but I don’t think his performances are ever the determining factor in what the final result is. Idk, if someone wanted to call the 6th consecutive movie where he plays a gruff guy with a checkered past mixed up eith some baddies on someone else’s behalf a ‘slop movie’, I guess I couldn’t fight them on that. However, given that genre is a perennial favorite of mine, I’m not looking for a wide emotive range from that experience. I want cool fight choreography, inventive cinematography, and badass stunts. If I get that, but Statham gives a wooden performance, I’m still going to think well of the movie (not least of all because it’s largely the same performance as what he gives in his ‘good’ movies too lol).
I guess when I think of the prompt, the actor that comes to mind is like a Ben Kingsley type. Someone who won awards for their acting prowess, but who wound up shoveling out direct to video crap in the twilight of their career.


I don’t know. Blaming Statham for Ghosts of Mars feels like blaming a waiter for the Titanic: he was just along fir the ride.


This is such a bingeable series. Also, hoo boy this album is way worse than I even imagined it to be. Glad Lou seemed to enjoy himself.


The Ocean movies were my first thought, followed by Logan Lucky. Perfect examples of movies which put fun first, imo.


Fighting fire with fire, they’ll never see it coming


Any non-dummies out there willing to dummy this down for me?
If I’m picking up what was being put down, websites typically reserve a small amount of space on a hard drive for any given website to install scripts they need to function. This is done as a matter of course, and is largely the modern Internet working as intended (for better or worse). However, in this case, a compromised website could instruct my browser to reserve a gig or more of space to deploy or install this FROST script. This reports back to the attacker what programs are competing for resources on my computer, including my individual browser tabs and what sites those tabs contain. It can do this despite the location where browsers let websites install/run scripts being nominally sandboxed away from the rest of the drive. It does this by measuring the latency of certain I/O operations occurring on the drive, and feeding that information through some sort of neural network.
Assuming that is generally correct from a layman’s POV, how exactly is that latency information sufficient to determine what programs or websites I have open? Wouldn’t different models of SSD (or even different SSDs of the same type) have minor variations in performance which would make this impossible? Hell, how does the script even know that it is installed on an SSD and not an HDD?
Not saying it untrue, because obviously the folks that discovered this know a touch more about computers than me, but, if this explanation were trotted out in a thriller movie (“well, President Ryan, we know the location of the terrorists’ hideout because we were able to measure the latency of their hard drive, which revealed they were placing an Amazon order in the other tab”), I’d chalk it up to techno-babble nonsense.


From what I understand, there’s an argument to be made that Red Sonja started not holding up at its own premiere haha.
That being said, I can lightly recommend the Red Sonja remake from last year. I did a double feature of that and Deathstalker 2025 awhile back, and had a really good time. It’s kind of wild that we had two revivals of non-Conan barbarian properties released right around one another. Like an even schlockier version of Deep Impact vs Armageddon haha. Admittedly, I think Red Sonja 2025 benefitted from having watched Deathstalker 2025 first. Like the reviewer in the article, I only started to have a good time with the latter film once I A) learned its budget was barely $100K and B) came to terms with its comedic tone. Therefore, Red Sonja’s somewhat po-faced earnestness and modest budget ($17 million-ish) felt like a breath of fresh air by comparison.


I’ll be honest, I’ve no idea if that’s a codemnation or an endorsement lol.
I like Trek just fine, but it almost entirely stems from catching TNG episodes on daytime TV growing up, as well as the memes. My understanding was that TNG didn’t start to get gud until Roddenberry had largely been sidelined.


He’s One of the Good Ones ™️
https://openmw.org/2026/openmw-0-51-0-released/