Since Wrestlemania there’s been nothing but stories about John Cena winning an amazing 17th title, blah blah blah… It’s a “History making moment”, yadda yadda yadda…

Like…of course he did. It’s the storyline. It’s quite literally “in the script”.

This isn’t an achievement. Why is this in my sports news next to last night’s hockey scores instead of next to an article about who was the bitchiest on the lastest episode of Real Housewives?

I get it. I loved Wrestling growing up. Back when we all WERE pretending it was real; Macho Man, Hulk Hogan, The Undertaker, etc… But I thought at some point they steered into the whole “entertainment” aspect when most of us grew the hell up and clued into the absurdity of it all.

  • aesthelete@lemmy.world
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    27 days ago

    I agree that most of them are athletic, but they simply aren’t competing in an athletic competition.

    I think your comparison to the Globetrotters is on point. In the ballet and other examples, the difference to me is that they’re not pretending to be in a ballet competition while dancing the ballet.

    There’s no doubt that what most wrestlers do requires skill, talent, and athleticism but it’s “fake” in that what you’re watching isn’t an authentic athletic competition despite the people involved pretending that it is.

    • UnderpantsWeevil@lemmy.world
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      27 days ago

      In the ballet and other examples, the difference to me is that they’re not pretending to be in a ballet competition while dancing the ballet.

      In the Nutcracker, at least, they’re pretending to fence, in a choreographed dance. A first-time naive viewer who came out of the show offended when they discover skill at fencing has nothing to do with whether the dancers playing the Nutcracker or the Rat King wins would sound silly.

      I do think that the kayfabe is what sets wrestling apart from more traditional performance art. The carnival-barker lying-to-your-face aspect of the performance is what makes it feel extra circus-y. But when you accept that the kayfabe is just part of the performance, you stop feeling offended by it and start recognizing degrees of commitment to the bit as part of the artform.